sábado, 28 de marzo de 2020

Must. Have. Wifi! (02/25/19)

What's going on everyone!?


Today as many others before have been filled with packing our belongings and moving to our new place. It's not glamorous mind you, and it's about 3 sizes too small but it will actually be OURS. Which is something I thought we would never be able to say.


So with that being said, we're spending our first night here tonight and don't have phone and internet yet or even cell service way out here. Therefore this post and I'm sure a few others are going to be messed up as far as the date goes so I will have the date in the title to solve this for the time being. :)


Today for the #2019gameaday challenge I was going to play a game of Ticket to Ride but just couldn't keep my eyes open long enough to. 


So I opted for another game of Zombie in my pocket! As with most games it seemed to be going well but in the end I failed...

 But the worst part is it was within the last TURN! When I should have succeeded it robbed me (rightfully, I admit) of my win!

As always, thank you for reading and don't forget to stop and smell the meeples!  :)

-Tim


Full Throttle: Remastered (PC) - Part 1

Full Throttle Remastered title screen
Remastered - Developer:Double Fine|Release Date:2017|Systems:Win, PS4, PS Vita
Original Game - Developer:LucasArts|Release Date:1995|Systems:MS-DOS, Win & Mac OS

This week on Super Adventures, it's the legendary LucasArts classic, Full Throttle! Remastered!

It seemed like a good time for me to get around to this one, with the original game's 25th anniversary being just around the corner. It came out on April 20th so I'm a month early, but Super Adventures is taking a break during April (and May) so I'm playing it now.

I've played the classic Full Throttle before, in fact I've beaten the game, but I've forgotten almost everything about it since then. I'm fairly sure I used a guide to get through it, but that doesn't necessarily mean anything. I used guides all the time back then, because assumed I wouldn't make it though a game without them.

I do know one thing about the game though: it actually sold pretty well, better than any LucasArts adventure that came before it (but maybe not as well as The Dig), which the company appreciated as it also cost a fortune (though maybe not as much as The Dig). It's possible that all the expensive CD-filling cutscenes were the reason the game was such a big hit for them, though some have theorised it was actually because it had a big explosion on the box art.

Okay, I don't usually do SPOILER warnings on Super Adventures, but I'm going to play through the first third of the game and spoil a big chunk of the puzzles and story, so you might not want to read this if you haven't played through it before.

Read on »

2014 Nominations For The National Recording Registry

Courtesy of the Library of Congress


Much like its sister foundation The National Film Registry, The National Recording Registry is dedicated to preserving our cultural heritage, but instead of film, this registry honors what we hear. Indeed, much of culture has been captured through sound. Among the pieces in the Registry include Martin Luther King's "I Have A Dream Speech, The Beatles' Sgt. Pepper's Lonely Heart's Club Band, Orson Welles' dramatic Halloween reading of War of the Worlds, Pink Floyd's Dark Side of the Moon, FDR's Fireside Chats, George Gershwin's Rhapsody In Blue, Tom Lerher's intellectual comedy songs, Igor Stravinsky himself conducting The Rite of Spring in New York, the soundtrack to Star Wars, Marvin Gaye's What's Going On, Nirvana's Nevermind, and much, much more. That the sounds of America are so rich, so different, so wonderful.



The New York Times reported that Congress passed the National Recording Preservation Act in 2000, in which the Library of Congress was directed to "plan and coordinate a national effort to develop policies and programs to save our nation's recorded sound history and ensure its accessibility to future generations." (Kozinn). According to The Library of Congress this action led to the creation of the National Recording Registry, in which the Librarian, advised by National Recording Preservation Board, annually select up to 25 recordings that are "culturally, historically, or aesthetically significant" and are at least a decade old. Librarian of Congress, James H. Billington, who also heads the National Film Registry, has said,

"These recordings represent an important part of America's culture and history. As technology continually changes and formats become obsolete, we must ensure that our nation's aural legacy is protected. The National Recording Registry is at the core of this effort." ("Hallelujah, The National Recording Registry Reaches 400").

In 2013, The New York Times reported that a new National Recording Recording Preservation Plan was passed, as the plan address ways to preserve and digitize recordings, with focus being put especially on broadcasts and recordings made on neglected, antique, or other "at risk" formats. There are urgent reasons for this, since many precious recordings have been lost. These include about half of all recordings made on cylinders, recordings of Sinatra, Garland, and Gershwin, along with a wire in the Enola Gay that recorded the 1945 bombing of Hiroshima. Billington praised the plan, saying,

"As a nation, we have good reason to be proud of our record of creativity in the sound-recording arts and sciences. However, our collective energy in creating and consuming sound recordings has not been matched by an equal level of interest in preserving them for posterity. Radio broadcasts, music, interviews, historic speeches, field recordings, comedy records, author readings and other recordings have already been forever lost to the American people." (Kozinn).

That it took the National Film Registry until 1989, and the National Recording Registry until 2000 to be put into action shows that the idea of preserving our culture in these formats is a very novel one. It shocks me a bit that it took this long, but I'm grateful to see it happen. With 400 recordings as of 2014, we have a great national treasure trove. One that should be cherished and, of course, heard.

Without further ado, my nominations:

1. The Doors
    Artist: The Doors
    Release Date: January 4, 1967
    Recorded: August 24-31, 1966 at Sunset Sound Recorders, Hollywood, California.
    Label: Elektra

    The Doors are one of the most influential and popular rock bands in American history. Their self-titled debut expounds on their signature talents, Jim Morrison's haunting voice and Ray Manzarek's hypnotic keyboard. The album features the famous "Light My Fire" with its endless organ solo, shameless desire in "(Alabama Song) Whiskey Bar", the drug culture "The Crystal Ship" and "The End" an Oedipal, almost scary, avante-garde opus.

2. Pulp Fiction (soundtrack)
    Artist: Various, including
    Release Date: September 27, 1994
    Label: MCA

    Much the film, Pulp Fiction, the soundtrack is a watershed mix-tape of American pop culture. The song features hip-hop "Jungle Boogie", classic rock and roll "Girl, You'll Be A Woman Soon", country throwback, "Son of a Preacher Man," and surfer rock, "Misirlou"/"Surf Rider." The album also contains some of the best dialogue ever recorded, in particular, Samuel L. Jackson's famous "Ezekiel 25:17" speech.

3. The Miseducation Of Lauryn Hill
    Artist: Lauryn Hill
    Release Date: August 25, 1998
    Recorded: 1997-June 1998 at RPM Studios, Chung King Studios, Sony Music Studios, The Hit Factory, and Right Tracks Studios in New York City; Perfect Pair Studios (New Jersey; Marley Music, Inc. and Tuff Gong Studios in Kingston; and House Studios in Miami
    Label: Ruffhouse, Columbia

    Lauryn Hill's powerful debut crosses the genres of hip-hop, reggae, doo wop, rhythm and blues, soul, rap, gospel and rock music. Each song steeped in a rich poetic tradition referencing Christianity, which has had a strong role in the black cultural tradition with "Forgive Them Father", and "To Zion", the urban experience, "Every Ghetto, Every City," complex viewpoints on romance in "Ex-Factor", "It Hurts So Bad", and "I Used To Love Him," along with references to older musical traditions with "Can't Take My Eyes Off Of You" and "Doo Wop (That Thing)". The album was also critically acclaimed, earning five Grammys.

4. "American Pie"
     Artist: Don McLean
     Release Date: November, 1971
     Recorded: May 26, 1971
     Label: United Artists

     Don McLean's poetic anthem of American culture following the deaths of The Big Bopper, Richie Valens, and Buddy Holly, or "The Day The Music Died". The song is a call for an earlier, perhaps simpler time in American music and culture that many felt at the time in the wake of a changing landscape. McLean's piece is a great example of contemporary folk, and that genre's ability to resonate with the cultural consciousness.

5. Boston
    Artist: Boston
    Release Date: August 25, 1976
    Recorded: October 1975 – April 1976 at Foxglove Studios in Watertown, MassachusettsCapitol Studios in Hollywood, CaliforniaThe Record Plant in Los Angeles, California.
    Label: Epic

    One of the defining progressive rock albums of the 70's, Boston is unique in the sense that it was technological creation. The music was almost exclusively done by multi-instrumentalist, Tom Scholz, and vocalist Brad Delp, who mixed the various tracks together in his basement. The album captures old memories "More Than A Feeling" and aspirations of fame "Rock & Roll Band." The tracks have become staples of any rock radio station.

6. "Freebird"
     Artist: Lynryd Skynryd
     Release Date: November 1974
     Recorded: April 3, 1973 at Studio One, Doraville, Georgia
     Label: MCA

     Regarded as one of the most requested songs in American history, the popular "Freebird" is an outstanding example of Lynryd Skynryd's southern rock style. Its aesthetic significance lies with its powerful guitar solo and its expression of the restless American spirit.

7. "Imagine"
     Artist: John Lennon
     Release Date: October 11, 1971
     Recorded: May–June 1971 at Ascot Sound Studios, Ascot and Record Plant East, New York
     Label: Apple

     John Lennon's "Imagine" is a song that has become synonymous with peace, finding its way in the Olympics and at protest marches. Listed by Rolling Stone Magazine as one of the greatest songs of all time, "Imagine's" iconic piano and idealistic lyrics have fallen into our cultural subconscious, and resonates strongly with Americans today.

8. The United States of America
    Artist: The United States of America
    Release Date: March 6, 1968
    Recorded: December 7 to 23, 1967
    Label: Columbia

    One of the great zeitgeist pieces of the 1960's, the album is essentially the sound of America during that tumultuous decade. The album is very experimental, using electronic synthesizers and a variety of instruments including classical ones. Much of the album is enthused in the psychedelic rock music that dominated times with its unconventional directions and poetic lyricism, as heard in "Hard Coming Love" or "The Garden Of Earthly Delights." The very leftist political air is also touched upon in "Song For The Dead Che."


9. "SantaLand Diaries"
     Artist: David Sedaris
     Release Date: December 23, 1992
 
     Humorist and writer David Sedaris first got his big break after reading excerpts from his "SantaLand Diaries" essay on NPR in 1992. Sedaris gives us the classic holiday tradition of having Santa meet children at the Macy's mall, but from the perspective of a disgruntled elf. Based on true, if not exaggerated, experiences, Sedaris's reading has since become a popular tradition for NPR. 
  
10. Whitney Houston
      Artist: Whitney Houston
      Release Date: February 14, 1985
      Label: Arista

     Whitney Houston was one of the most gifted vocalists of the late 20th century. Her singing defined pop music and black artistry for mainstream America. Her self-titled debut, lauded as one of the finest albums of that decade, and even, all time, is a beautiful exhibition of her talents.




Bibliography

"Hallelujah, the 2013 National Recording Registry Reaches 400." The Library of Congress. April 2, 2014. Web. http://www.loc.gov/today/pr/2014/14-052.html

Kozinn, Allan. "Now Hear This: Library of Congress Issues Plan to Preserve Recordings." The New York Times. February 14, 2013. Web. http://artsbeat.blogs.nytimes.com/2013/02/14/now-hear-this-library-of-congress-issues-plan-to-preserve-recordings/
    

     












lunes, 23 de marzo de 2020

People Behind The Meeples - Episode 212: Kennedy Goodkey

Welcome to People Behind the Meeples, a series of interviews with indie game designers.  Here you'll find out more than you ever wanted to know about the people who make the best games that you may or may not have heard of before.  If you'd like to be featured, head over to http://gjjgames.blogspot.com/p/game-designer-interview-questionnaire.html and fill out the questionnaire! You can find all the interviews here: People Behind the Meeples. Support me on Patreon!


Name:Kennedy Goodkey
Location:Vancouver
Day Job:I used to work in film. Nowadays I do data analysis for a major Canadian telecom.
Designing:One to two years.
Blog:I do but its not game relevant at this time
BGG:HobbyistsorDabblers
Facebook:Hobbyists or Dabblers
Twitter:@hobdab
YouTube:I do but its not game relevant at this time oh wait... how about a film I produced that is now available for free on YouTube? https://youtu.be/whW57js2XjA
Find my games at:Best to reach out on Facebook and I can direct people to appropriate PnP or TTS locations (the picking are pretty slim right now)
Today's Interview is with:

Kennedy Goodkey
Interviewed on: 8/26/2019

This week's interview is with Kennedy Goodkey, an independent film director and screenwriter turned game designer. In addition to his involvement with several movies, Kennedy has been designing games for the past few years. Read on to learn more about Kennedy and his current projects!

Some Basics
Tell me a bit about yourself.

How long have you been designing tabletop games?
One to two years.

Why did you start designing tabletop games?
I did it in my teens and 20s. Got busy for a few decades (the film industry is a time-intensive life), then got back to gaming as a Dad (and having left film)... and the bug struck again - in part because my daughter started getting into games with me, but also because I had a creative hole in my life where film once was.

What game or games are you currently working on?
I've got about 4 that are getting regular attention from me right now...

"The Queen Must Die" - a reversed dungeon crawl where the players are the Kobolds working together to save their warren and queen... except that whoever is "winning" at any given time wants the Queen to die, so they can rule.

"Drive" - a tile-laying race-game in the spirit of awesome/terrible films like The Cannonball Run and Its a Mad Mad Mad Mad World.

"Drop-Stix" - A dexterity game that turns the classic Pick-up-Sticks on it's head.

"Bishop, Baylies & the Baron" - A fast paced card game of aerial dog-fighting in WWI.

Have you designed any games that have been published?
Nope. But I have a good track record at design jams.

What is your day job?
As noted above, I used to work in film. Nowadays I do data analysis for a major Canadian telecom.

Your Gaming Tastes
My readers would like to know more about you as a gamer.

Where do you prefer to play games?
Anywhere there is a game. I get anxious when I leave the house without a deck of cards (I also do card magic) "just in case."

Who do you normally game with?
#1 - my daughter. I have 2 small groups of "the guys" who I play with at least once a month each. And I attend several open gaming nights - with various 'regulars' - sometimes with my daughter, and sometimes not.

If you were to invite a few friends together for game night tonight, what games would you play?
My #1 for close to a year now has been Root. I do like getting my games to the table too. The rest rotates based on whims that last weeks at a time.

And what snacks would you eat?
My daughter and I usually go out for "muffins and coffee" and games at least one morning per weekend. And "beer" is probably the most reliable staple of the other events.

Do you like to have music playing while you play games? If so, what kind?
I do. I'm pretty open to whatever - my tastes musically speaking are pretty broad. But... "the guys" ...we are collectively getting long ion the tooth - and there is a lot of "I can't hear clearly with too much background noise" ...so music is normally only pre/post game. :-(

What's your favorite FLGS?
RainCity Games in Vancouver. That's where everybody knows my name. And it's a block away from home.

What is your current favorite game? Least favorite that you still enjoy? Worst game you ever played?
Fave... Well, Root. ...but Point Salad is making a hard play for that position over these past few weeks. Least favourite that I still enjoy... Pandemic is probably my all-time fave, but I've played-it-out. I do still like "playing" it... but that really means I sit and watch others play - 'cause I can't open my mouth without having an Alpha opinion about the situation. Worst game... I've probably deliberately forgotten. However, this past weekend my daughter and I took a game off the shelf of shame - Barcelona - and confirmed that our year-long resistance to playing it was WELL founded.

What is your favorite game mechanic? How about your least favorite?
Being VERY specific - the way the infection deck is handled in Pandemic - adding a new card from the bottom and then reshuffling all that has already appeared together and putting it on top to go through again... it seems so pedestrian now all these years later, but DAMN - it's a simple piece of genius. Being considerably less specific... I'm a sucker for legacy games. Least favourite... well any of the 54(?) mechanics singled out on BGG have a place and time... but dice rolling really needs to earn it on my game table.

What's your favorite game that you just can't ever seem to get to the table?
I could probably say "Root" again, 'cause it doesn't get to the table anywhere near as often - or with as many players as I'd like. But... I'm going to cheat this question in another way... Dune. I owned an AH copy of it in the 80s and played it until it was hardly usable. I traded it, in all it's literally broken (yet complete) glory for a nearly mint copy of Supremacy with ALL expansions. That trade says all you need to know about either game, no? I'd been considering hand crafting a bespoke version [of Dune] for quite some time... but I'm glad that I won't have to... geez, almost any time now.

What styles of games do you play?
I like to play Board Games, Card Games, RPG Games, Video Games

Do you design different styles of games than what you play?
I like to design Board Games, Card Games

OK, here's a pretty polarizing game. Do you like and play Cards Against Humanity?
No

You as a Designer
OK, now the bit that sets you apart from the typical gamer. Let's find out about you as a game designer.

When you design games, do you come up with a theme first and build the mechanics around that? Or do you come up with mechanics and then add a theme? Or something else?
Theme MOSTLY comes first. But there are exceptions.

Have you ever entered or won a game design competition?
Yes. I've entered a few. The only ones I've won have been design jams though.

Do you have a current favorite game designer or idol?
I could go top 3... in no particular order: Garfield, Daviau, Leacock. All for very different reasons... and the connection between Daviau and Leacock I will staunchly deny has anything to do with their partnership of note.

Where or when or how do you get your inspiration or come up with your best ideas?
Tough to say. "The Queen Must Die" began life as a screenplay that I couldn't finish. Years later it popped into my mind and I thought - THATS A GAME! "Bishop, Baylies & the Baron" - I'd wanted to design a dogfighting game for quite some time (I've always been fascinated by the arithmancy of Ace of Aces) and at a game jam, it fit the constraints we were given, so a game was born.

How do you go about playtesting your games?
I go regularly to a design night at my FLGS. But I'll also post on Facebook or elsewhere that I'm looking for players when I want to go deep. I'll solo or play with my daughter too - for as much as that is worth. And I've uploaded "The Queen Must Die" to Tabletop Simulator, but haven't yet tried the on-line play test... but will soon.

Do you like to work alone or as part of a team? Co-designers, artists, etc.?
Yes. I really love the autonomy of working alone. I like trying my hand at all aspects - though I'm not really good enough at art or graphic design to do those at a level that could sell. I'm also not the greatest businessman. I have designed two games - probably two of my taughtest - with others, but even so I have a habit of running head of the pack at the slightest hint of foot-dragging. I'd love to have a dream-team partnership with a better artist and graphic designer than me, and someone with a better grasp of business.

What do you feel is your biggest challenge as a game designer?
... I feel like I'm answering these questions ahead of when they are being asked! The business. Yeah, I co-produced a movie that sold to broadcast, theatrical and DVD (oddly in that order), but I hated every single step of the business part. I resist it and let my contempt for it get in the way of doing it efficiently at every step.

If you could design a game within any IP, what would it be?
I saw Star Wars on my 7th birthday. I left the theatre and said "I want to do THAT" - meaning making films. I did - though not Star Wars. So perhaps there is a Star Wars game in the future with my name on the box.

What do you wish someone had told you a long time ago about designing games?
Don't stop. Keep doing it in the vacuum - a renaissance is coming.

What advice would you like to share about designing games?
(Again this comes from film (and theatre).) Never toss an idea away entirely. No matter how dumb it seems, or how much it doesn't work in the current situation, you never know when it will be the key to something good. Don't dismiss something because it's impractical - it may seem weird and counter-intuitive, but in the right context it may be exactly what you need. Both those ideas are adjacent to one another. I have personal examples of both.

Would you like to tell my readers what games you're working on and how far along they are?
Published games, I have: Nothing as of yet.
Games that will soon be published are: Ditto.
This is what I have currently crowdfunding: See above re my taste for business.
Currently looking for a publisher I have: The Queen Must Die; Bishop, Baylies & the Baron Both are ready. I have plans to pitch both in October [2019].
I'm planning to crowdfund: :-)
Games I feel are in the final development and tweaking stage are: Pixie Dust; Drop-Stix
Games that I'm playtesting are: Drive; Pirates v. Robots v. Ninjas v. Zombies v. Lemmings
Games that are in the early stages of development and beta testing are: Legacy version of a major license that I will NEVER get and that should probably never actually get a legacy treatment - but was fun to dev anyway. (It's a game about real-estate - yeah, that one.)
And games that are still in the very early idea phase are: Un-named Palace Intrigue - Hidden Identity game that I'd call "Love Letter" except...

Are you a member of any Facebook or other design groups? (Game Maker's Lab, Card and Board Game Developers Guild, etc.)
Yes, each of those and many others - Board Game Design Lab springs to mind

And the oddly personal, but harmless stuff…
OK, enough of the game stuff, let's find out what really makes you tick! These are the questions that I'm sure are on everyone's minds!

Star Trek or Star Wars? Coke or Pepsi? VHS or Betamax?
Star Wars, but only if I had to pick; Coke; VHS

What hobbies do you have besides tabletop games?
We love music in our house. I still get the occasional call for help on film... for fun. And (largely due to having a wife with loads of insider experience) a lot of world travel.

What is something you learned in the last week?
The connection between Depeche Mode, Erasure and Yazoo. ...and here I THOUGHT I knew my 80s music trivia.

Favorite type of music? Books? Movies?
Punk / Post-Punk, Space (not specifically sci-fi - but at least as much about real world space exploration and astro-physics). Obviously Star Wars... but I really enjoy Nordic Noir too.

What was the last book you read?
Game Tek by Geoff Englestein

Do you play any musical instruments?
Yes.

Tell us something about yourself that you think might surprise people.
I paid for most of my university by touring Canada in a comedy troupe.

Tell us about something crazy that you once did.
I paid for most of my university by touring Canada in a comedy troupe.

Biggest accident that turned out awesome?
... no doubt I have one... it's just not springing to mind.

Who is your idol?
Joe Strummer, The Edge, David Brin, Trevor Linden

What would you do if you had a time machine?
I'd call my friend Keith five minutes earlier than I did on the day he died... so he wouldn't have been at the wrong place at the wrong time.

Are you an extrovert or introvert?
I am an awful lot of both and not much of the middle.

If you could be any superhero, which one would you be?
The Flash has always been my favourite, so it'd probably be wrong to say Batman.

Have any pets?
A fish. (Sigh, apartment life.)

When the next asteroid hits Earth, causing the Yellowstone caldera to explode, California to fall into the ocean, the sea levels to rise, and the next ice age to set in, what current games or other pastimes do you think (or hope) will survive into the next era of human civilization? What do you hope is underneath that asteroid to be wiped out of the human consciousness forever?
As much as I have all manner of utopian ideals of what I wish the world was like, I kinda feel like people suck and so long as we are around, the worst aspects of human kind will always be there to be fought - so... nice idea, but I just don't kid myself anymore. I sure hope people keep playing hockey and curling. The ice age should about that.

If you'd like to send a shout out to anyone, anyone at all, here's your chance (I can't guarantee they'll read this though):
Hey Keith! Hope you're doing well. Miss the hell out of you still. Can you believe I'm older than you ever were?

Just a Bit More
Thanks for answering all my crazy questions! Is there anything else you'd like to tell my readers?

Geez... this is a lot of questions.

Curling. Once upon a time my Dad was one of the top 100 curlers in Canada. At that time, being one of the top 100 curlers in Canada pretty much meant you were one of the top 100 curlers in the world.




Thank you for reading this People Behind the Meeples indie game designer interview! You can find all the interviews here: People Behind the Meeples and if you'd like to be featured yourself, you can fill out the questionnaire here: http://gjjgames.blogspot.com/p/game-designer-interview-questionnaire.html

Did you like this interview?  Please show your support: Support me on Patreon! Or click the heart at Board Game Links , like GJJ Games on Facebook , or follow on Twitter .  And be sure to check out my games on  Tabletop Generation.

viernes, 20 de marzo de 2020

Tekken 6 PC




Minimum System Requirements


Operation System: Windows XP SP 3/Vista/7/8
CPU: Pentium 4
Processor: 2.6GHz or AMD Athlon 2600+
RAM Memory: 1 GB
Graphics Card: 256 MB with Pixel Shader 3.0+ (Required)
Hard Drive Space: 14 GB
Sound Card: Windows Direct X 9.0 Compatible
DirectX: Version 9.0


Recommended System Requirements


Operation System: Windows XP SP 3/Vista/7/8
CPU: Pentium 4
Processor: Core 2 Duo 2.4GHz 
RAM Memory: 2 GB
Graphics Card: 512 MB with Pixel Shader 3.0 (Required)
Hard Drive Space: 14 GB
Sound Card: Windows Direct X 1.0 Compatible
DirectX: Version 10.0


Download PPSSPP Emulator For PC Here



Download The Game ISO File Here

How To Download And Play Tekken 6 On PC (With Proof) [Voice Tutorial]


jueves, 19 de marzo de 2020

DE: Tips And Tricks On Movement

Archon School is the best School.

I'm going to be traveling on business soon so I want to get this one out to you guys ASAP.  This is a quick article on some tips and tricks when it comes to vehicle-heavy play.  As you can see in a lot of my lists, it has a lot to do with vehicles.  However, in order for DE players to get the most out of their vehicles and the units inside them, you have to be very careful in how you play them.

Dark Eldar vehicles are powerful because they have Fly and great movement, however, they are fragile and if you use them incorrectly, they will die like bitches and so will your dudes.  If you're going to die, you better kill a lot of shit to make your death worthwhile.

Before we begin, here are some useful terms for you to remember:

Falling Back
Units starting the Movement phase
within 1" of an enemy unit can either
remain stationary or Fall Back. If you
choose to Fall Back, the unit must end its
move more than 1" away from all enemy
units. If a unit Falls Back, it cannot
Advance (see below), or charge (pg 182)
later that turn. A unit that Falls Back
also cannot shoot later that turn unless it
can FLY.

Open-topped: Models embarked on this model can attack
in their Shooting phase. Measure the range and draw line
of sight from any point on this model. When they do so,
any restrictions or modifiers that apply to this model also
apply to its passengers; for example, the passengers cannot
shoot if this model has Fallen Back in the same turn,
cannot shoot (except with Pistols) if this model is within
1" of an enemy unit, and so on. Note that the passengers
cannot shoot if this model Falls Back, even though the
Raider itself can.

Hovering: Instead of measuring distance and ranges to and
from this model's base, measure to and from this model's
hull or base (whichever is closer).

Airborne: This model cannot charge, can only be
charged by units that can FLY , and can only attack or be
attacked in the Fight phase by units that can FLY.

Look at this threat range man.

OK, now we're ready to begin.  First, I want you to look at this picture for at least 5 minutes.  Look at the measuring tape, and then bask in the glory that is DE movement and threat range.  You get out of the vehicle by measuring from the hull (including the tip of that Shock Prow) for 3".  You move 7" with your Warriors and 8" with your Wyches.  You then have roughly 1" because you measure to the edge of your 25mm base, so you have a total movement hull to edge of base of 11".  You then have a Rapid Fire range of 12", your Blasters reach out to 18", and the rest of your shit that matters literally hits from a mile away.  Just with Rapid Fire Splinters mean you have a total threat of a little over 23" out of a transport when you measure from the base.  This is why Obsidian Rose is so worth it to me, because it extends the threat range of this bullshit even further.

Before we continue, I want to say that if you're playing with Warriors in a gunboat, you want to stay in that gunboat as long as possible.  This is because the Raider is Open-topped and you can get much more mileage out of it with better durability (T5 10W 4+/5++/6+++) than shooting at paper armor Warriors out in the open.  You have much greater threat range inside a Raider as well, since the damn thing can move 14" and you can still Rapid Fire out of it measuring from the hull.  That means you have a threat range of 26" of threat, which is a few inches greater than your Warriors walking on foot.  Yes, you heard that right, your Warriors move almost as fast as your Raiders.  Let it sink it good and long.

So why get out?  Because your Archon's aura doesn't work while you're inside the Raider.  It only works when you're outside which is why it's very worthwhile to sometimes unload all of your shit within 3" of your Raider (so they can quickly jump back in next round), get within 6" of that sweet ass bubble of the Archon, and then unload like crazy.  It's like having Flayed Skull's re-roll 1s for all of your weapons.  If you have Writ of the Living Muse while using Black Heart, here's all those crazy re-roll 1s to Wound as well.  However, if you don't need the re-rolls, just sit in the Raider for as long as possible because even if the Raider is engaged, you can still disembark from it and not count as Fallen Back for your Warriors.  You just have to get out first before your Raider Falls Back.

Get out, get buff, shoot, get scooped.

This is what I mean when I say get out, get the bonus from the Archon, and reap the whirlwind.  You're still within 3" of your Raider so you can taxi back in next movement and your Archon is still in range because 6" from base to base is actually ridiculously long.  The biggest thing I want you to take away from this picture is that I angled the camera downwards deliberately here.  Your Warriors can fire from beneath your Raider because Line of Sight is a real thing (model's point of view).  Sure, they can probably only see something in front of them, but LoS is one of those things I will bring up time and time again with Dark Eldar.  LoS really matters for them because denying damage while doing damage is the key hallmark of the faction.

Another subtle tip from this example is that the Archon has 2 units in front of him before he can be shot at if your opponent doesn't have any flyers of their own.  Be very wary when there are flyers on the map because they can zoom across the battlefield and eat you alive if you're not careful.  Those damn Hemlocks of mine have claimed so many careless generals' lives.

Weapon ranges are important.

There is a lot going on in this picture so I'm going to try to explain piecemeal.  The first thing I want you guys to look at is the range and coherency of the models.  Note that all my units in the front drawing red are in Rapid Fire of that unit of Wraithguard while the most valuable damage weapons, the Blasters, are in the back marked yellow.  The reason why I chose to show this off is that when you pull models, you can pull the extra rifles from the front to possibly deny a charge, and to preserve your longer ranged weapons whenever possible.  As a shooty army, you should preserve as much damage whenever you can, however you can.

The second thing I want to show here is the placement of the Raider in front of the Wraithguard.  Yes, I know they're WG and they shoot like crazy, but pretend they aren't for a second and I'm just using them as models.  The Raider is long, a little over 7" and acts as a perfect defensive obstacle for units that want to charge your paper armor duders in the back.  By putting a Raider in front of them, you form an artificial wall for your opponents to go around.  Therefore, you prolong the charge distance of your enemies and keep your Warriors alive another round (possibly).  Sometimes, this means you have to make sacrifices.  For Dark Eldar, I strongly encourage you to employ such tactics because, for us, it's any means to the end.  It's both fluffy and is perfectly applicable in-game.

Here's where Fly comes in handy.  If you have units inside the Raider, once you Fall Back with the Raider, they cannot shoot.  What you do here instead is:  Disembark your Warriors out of the Raider first and then Fall Back with your Raider so they can both shoot.  You just need to be mindful that you're more than 1" away from the enemy when you get out.  If your Warriors are caught in the open and are now in melee, they can't Fall Back and shoot (not conventionally at least).  Try and avoid this at all costs.  Your Raider, however, has the Fly rule and can Fall Back and shoot.  This is why if they don't kill the Raider, they won't stop it from firing on them.  The same applies to our Ravagers as well.

Now you're in range, now you're not.

Next picture is just more salt to injury.  Let's pretend those WG don't auto-hit the Razorwing and therefore will murder him.  Instead, let's treat them like TH/SS Terminators or something.  They see a juicy target, or rather, multiple juicy targets to charge.  Hmm, that Raider is 9" away, and those Warriors are a little under 12 so it's not impossible.  Oh boy, here comes a flyer 1" away.  Yup, I just increased the charge distance of those Terminators to barely possible on the Raider and not possible at all on the Warriors.  It gets even sadder because if you declare the charge because you're not careful and account for the distance traveled, I can still Overwatch even if you fail.  This is the advantage of the Airborne special rule that flyers have.  Unless that unit has Fly, you should do this and make your opponent really upset.

MSU is wonderful when used correctly.

OK, this little picture shows you the value of having multiple units in a Raider.  The above there is 2 units of 5 Warriors (2x5 config) with Blasters in a single Raider.  Everything is in Rapid Fire range and the Blasters are slightly in the back (like they should be).  Red and blue symbolizes the first movement action I take, then the second, and yellow presents where the Raider goes everyone disembarks so I can scoop up blue squad next round if they're still around.  Always have an exit strategy and a follow-up plan.  Too many times I see players just do what's in the moment and not plan ahead.  This is not how Dark Eldar plays because misplays or stupidity can literally end the game for us.  You have to be methodical, cunning and smart with how you play the game.  Now that my plan is laid out, I lay into my targets with firepower.

MSU is an abbreviation for Multiple Small Units.  This has been around forever and I've played way too many years of DE, High Elves, Dark Elves and other MSU-based armies to understand the value of it.  For Dark Eldar, this has some great uses because it allows you to do shit like the above picture.

Here are some of the other benefits of having 2x5:
  • Can split up squad as and when needed
  • Same number of Blasters as 10-man units
  • Can double up on PGLs or other sergeant weapons
  • Less vulnerable to Ld
  • Can build Brigades fast, but you also fill slots quick

The biggest boon is your ability to split up:  Your opponent has to shoot one squad to death instead of 2 so he can oversaturate fire and potentially waste shots.  This is mainly because when you declare targets, you have to declare where all your shots are going and from which guns before you roll dice.  This means if you really want a squad dead, you have to commit.  Not that it takes a lot to kill off DE infantry units in the open, but being frugal on shots or some lucky 6+++ saves means that a sole Blaster dealing S8 AP-4 D6 damage is going to go around shooting you in the dick.

Likewise, if you spread wide enough, he now has 2 targets to charge instead of 1.  Look at the distance between the two units above.  He's definitely going to commit to one side if he wants a good chance, and even if he charges one squad, that's still another Blaster that's free to shoot and not in Fall Back mode.

It all comes together to make your opponents' life miserable.

We're almost done guys, hang in there.  Look at this example above:  I placed the Archon within buff range of both units while placing two Raiders there to form the Great Wall of bad decisions.  They obviously cannot go around to assault my dudes because that's an impossible charge.  They can't fire on the Archon because there are multiple units in front of him.  The only logical target there is the Raiders, and if they charge into them, Raiders are wide enough (almost 3") to stop any follow-up Consolidation prize in the Warriors in the front.  The only thing they can do is Consolidate into the other Raider, in which case I'll Fly away and shoot him with my entire army next turn.

Now imagine I had about 4 more squads of Warriors in the back there by my Archons ready to go too.  That is a lot of units now ready to follow-up, amplified damage via the Archon's bubble, and ready to lay waste to the units who over-extended and are now in Rapid Fire range of a lot more guns.  This is an instance where charging the enemy is actually bait because it draws them in closer to the kill.  What looks like suicidal Raiders at first are now very worth it because you might have traded an 85-point Raider that is now fodder, with 225 points of key damage dealers.  That is a huge points swing in your favor.

Great, now you're playing like Dark Eldar, or in fact, any Eldar:  There is a reason why you think you're superior to all your enemies and have this outrageous arrogance around you.  You want to force as many decisions for your opponent as possible because the more decision trees you construct, the more paths there are to failure.  Shore this up with baits, feints, LoS, cover, outranging, and movement shenanigans, and you're one step closer to becoming a better Eldar player.

Be mindful of your opponents' most potent weapons and their range.

We're going to take a brief moment here and explore what it means to charge the right way and charge the wrong way.  This is because we have to be constantly reminded me of our opponents' weapon ranges and what that means for our more fragile units.

What I'm going to attempt to do here is to charge my Raider first so I can tie up those units so my lightly armored Wyches can get in there unhindered and do their thing without having to worry about Overwatch.  This is very important for all Dark Eldar players unless you're playing Coven; in which case you probably don't give a fuck because T6 4++ FNP 4W Grots are balanced units.

For example, the Wraithguard up there all have 8" D-Scythes.  They will eat me alive if I charge in there while I'm in range of all their weapons.  Likewise, picture a unit of 10-man Space Marines with Meltaguns in there as well.  This is where your knowledge of weapon ranges come into play.  You know the range of the Meltagun (12", 6" melta range) and you know where the meltas are located.  Great, now don't be within their melta range and position your Raider so that you outrange his greatest chance to hurt you.  Bolters aren't shit compared to a lucky melta shot.

This is how you do it.

Vroom, 14" of movement later, now we're talking:  Look at the position of the Raider here after I relocated.  Now, only ONE of the FIVE Wraithguard with D-Scythes have range onto my Raider.  If I'm feeling extra cheeky, I can be at 8.1" away from him so he can't OW me at all (if you're out of range, you can't declare OW).  But then again, my charge will be a little longer, so there's a risk vs. reward scenario there.  However, I want to mention that my Wyches are positioned the same way, concaved a little because now only 2 of the WG can hit the closest Wyches vs. everyone else who was conveniently placed 8.1" away.  I will pull from the back, of course, allowing my closer Wyches to get the charge and bring the rest of the girls in.  If I'm running a 2x5 squad of Wyches, the principle here still stands.  To min-max, you move the Wyches in a checkerboard formation so both squads have the same chances to get in.  Remember again; measure twice, move once.  That is the Dark Eldar way.

Alright guys, this should be good for now.  Of course, there are a bunch more tricks that I know, but I think these are the main ones that'll help get you stated.  Keep in mind that I'll be more sporadic in the next week when it comes to posting!

Slow Going

Progress has slowed. Partly due to other comittments but also because getting these lads cleaned up and assembled was a bigger job than I expected.
Prince August SYW Dragoons with bicorne heads added.
I still haven't attached the carbines. I'm one short and am wondering how well a drop of glue will hold them for travel to and from a convention not to mention during play.  However, I will cast another one and if time permits will scratch a bit of paint off and glue them on after the fact.

The plan is to finish the facings tomorrow and the lace, hats, boots, belts etc and hopefully the horses. Part of me is looking forward to doing the horses so I've been revisiting pictures of Greys.

ASC 1001, Malagai!

Hi there, thanks so much for your patience for the last 6 months of my podcast drought. Today I bring you Malagai by Answer Software, and I also discuss their Personal Game Programmer. Next up on the show will be M*A*S*H by 20th Century Fox. If you have any feedback for that game, please send it to me at 2600gamebygame@comcast.net by September 7th. Thank you very kindly for listening, and once again I am grateful for your patience and kind thoughts and words.

There's still time to donate to Geekade's PITAthon to benefit the Colorectal Cancer Alliance!
Shoot The Moon Stitches
Al Backiel's review of the PGP-1 on Digital Press
PGP-1 on Atarimania
Malagai at Random Terrain
Malagai Easter Egg page at Atari Compendium
Wilson Oyama rolls Malagai
Malagai Kill screen by GregDeg

lunes, 16 de marzo de 2020

Gobliins 2 - Meatballs Of Happiness

By Ilmari

Last time I got the impression I would start this section instantly from the throne room. Alas, my journey from the subterranean sea ended somewhere else.


In the kitchen

Still, throne room wasn't far away, so let's move there for a while.


Note the pepper pot, it will become handy later

Movementwise, there was an interesting trick in the throne room. Usually the exits of a screen have been pretty much fixed. Not here. Whenever my goblins were at the right side of the screen, the exit list showed the kitchen. Then again, I could move the goblins through the various secret passageways to the left side of the screen (and no, moving in front of the eyes of the demons wasn't an option), where instead of kitchen the list of exits showed another room (we'll get back to that later).

On the throne room sat the evil demon Amoniak, and to the left of him was the Prince Buffoon I was here to rescue. But the demon lackey was interestingly called a lover of meatballs. Say, didn't I just see a big pile of those?

Indeed, in the kitchen, a servant was preparing them. He would put them through the window, one by one, suggesting he was feeding the demon lackey. I had been carrying a bottle of kindness elixir for a while now, and my suspicion was that I could spice the meatballs with it. In fact, when I tried to do it, goblins told me that the idea was good but they were afraid it would spill and the cook would throw the spiced meatballs away.

Checking the kitchen a bit more, I found out that pressing the eye of the swordfish would contort the fish, which would hit the goblin, who would fly to the salt shaker, which would drop to a position where it could be taken (remarkable cause-effect chains). Now, I could spice the meatballs with salt, and the cook would be reprimanded for oversalting.


Like this

For the couple of seconds cook wasn't sitting, I could interact with the case he was sitting on. What could I do with it? Well, I began by adding some salt in the big pot. Someone was apparently using it as a bath and was glad that we had put some bath salt in it. As a token of gratitude, I received a file, which could be used for releasing bird.


Although not from its cage

With the cage gone, I could move forward on the shelf and take some thumb tacks. Obviously, these were the things I could put on the case, while cook was being disciplined. When the cook sat on them, he lost the grip on the meatball he had been holding.


Poor cook should have stayed in bed today

This was a most frustrating sequence. Clearly I had to use the elixir with the meatball while it was flying. Problem was that time was so short and the spot I had to click was so small. Worst of it was that I had to do the whole salt-the-meatballs-wait-quickly-apply-the-thumb-tacks routine again, every time I failed in spicing the meatball. After dozens of failed attempts (and agony experienced by the cook), I finally managed to pull it off. Next time I entered the throne room, Amoniak's lackey was having a silly grin on his face


One down, two to go

My next target was Amoniak's demon dog that was said to eat cockroaches. This wasn't as intuitive a problem to solve as the one with the meatballs, but involved more of random experimentation. I noticed that if Fingus entered the ear of the demon throne and Winkle at the same time pulled at the tongue of a statue on the left, the left eye of the demon throne would open and Fingus would automatically manipulate the right eye, releasing a cockroach, which would walk toward the dog and be eaten after few seconds (yep, a bit random). The trick was to quickly take the cockroach through one of those magic holes and then to use some elixir on it.


The room at the other side of the throne room

Only one to go! Demon king Amoniak was dealt with a very similar manner as his underlings, that is, by mixing some kindness elixir into his food. I found a painter who told me that Amoniak ate only ladybugs. Since I knew where to get cockroaches, I tried painting one of them with red paint from the painter and adding some black spots from a pepper pot. It apparently was enough to fool Amoniak.


And then we were three

The game wasn't over yet. I still had to escape the castle, but I had no idea how to do it. After a while, I met the real king of the castle, locked inside his armour, hanging from a rope.


He's smaller than I expected

Amoniak had turned the king to a small child, and only his crown could turn him back to normal. I had already stolen from Amoniak this crown (one of the goblins could snatch it, while entering the head of the demon throne), which I now gave to the king. The castle scientist noticed this and went to find some help to release the king. With the scientist left, I could tinker with one of his machines.




Honey, I shrank the gobliins!

Finding myself on a desk (what desk actually is this?), I immediately noticed a box with a lock of a shape similar to one one on a seal. Should I use the seal to make an impression from the wax of the nearby candle and use it to open the box? If so, how could I get the wax?

Checking the other items, I noticed a pen knife that one goblin could lift for a couple of minutes. Using the other goblin on the knife during those few minutes moved the knife a few millimetres nearer to a book. Doing that couple of times brought the knife close enough to the book that I could cut from it a piece of the bookmark, which I could use as a wick of the candle.

What next? I picked up a match and used it to pry one glass eye from decorative skull. I tested what each goblin would do with the ball. They all kicked it, but Prince Buffoon particularly managed to break a piece from glasses with it. There was a conspicuous beam of sunlight coming from a window and hitting the candle. Using the piece of glass with that beam, the wick started to burn and a piece of wax dropped from the candle.

Just like I thought, I could shape the wax with the seal and the use this impression to open the box. Inside, I found some beans. Playing around with them for a while, I finally tried to use them on the map. To my surprise, the seed started to sprout a beanstalk - in the map. Without further ado, I entered the map.




I am getting confused. Was it a magic map? Did it teleport
me somewhere? If so, did I just create a huge beanstalk here?

It was definitely a silly ending, but just right what to expect from this game. And it wasn't the end, but only an end - the game still continues. What more lies ahead of me, now that I rescued the prince? We'll find that out next week.

But before ending completely, let me advertise a new feature of our blog. Our readers occasionally note that some noteworthy game is missing from our official list. We have been playing such missing games as Missed Classics, but there has been no way for our readers to suggest what to play as a Missed Classic. We admins decided it should be time to change this. Just for this reason, we've set up a simple spreadsheet (you can find the link also on the left column), where you can add your suggestion. We are still not sure how we will add your suggestions to our Missed Classic schedules, but we are working on it.

Inventory: match, file

Session time: 2 h 45 min
Total time: 19 h 15 min